The Cinelook Plugin for DaVinci Resolve includes a large number of cinematic looks and true film print emulations designed by some of the most renowned colorists and color scientists in the industry.
In addition the plugin contains a selection of powerful color grading tools such as density, compression, volume and vibrance controls.
The 9 Kharma LUTs are generated with true film spectral and colorimetry data from specific film stocks and emulates Kodak Vision3 5203, Kodachrome 5268, Fuji Eterna, Ektachrome 7294, Fuji Eterna SR12, Kodak Vision3 2383, Eastman EXT Color Print Film 2386 and Fuji 3510. Created in close interaction with the industry and image scientists.
MIRA is a collection of 20 PowerGrades for DaVinci Resolve designed by a variety of top colorists. The node structures are built to make the images feel more cinematic and include custom corrections in combination with transforms and film prints from the Cinelook Plugin.
The Look Development Starterkit is free and includes a variety of assets like a CMS Test Pattern (HALD) for Image Based LUT Workflows,
a LUT Assistant Plugin, and a set of print film emulations designed by color scientist Dr. Mitch Bogdanowicz.
Supports a wide variety of log camera and working spaces including ARRI (including Alexa 35), RED, BlackMagic, Sony, DJI, Panasonic, Z CAM and Canon.
Designed for the most common log variations and working spaces, and supports all industry standard display spaces including HDR and DCI P3.
Every technical component of the looks (LMTs) are shaped by color scientists to ensure the image does not quantize, clip or clamp.
Compatible with both node-based and color managed workflows, including ACES and DaVinci YRGB Color Managed.
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For more information about the products and subscription details, please read our FAQ.
Meet the creators of the grading tools