Cinelook is designed to work with all industry standard color spaces (now also Alexa 35/LogC4) and display targets including HDR and DCI P3. Works with node-based and color managed workflows, including ACES and RCM.
Color Scientist, Kodak
The goal with my contribution to Cinelook was to get the absolute best side-by-side display of digital with real film. With about ten thousand patches for intermediate recorder film out and print, the result showed a virtually indistinguishable comparison with real film, except for the film projector jitter.
Watch Cullen Kelly use Cinelooks density controls to create more cinematic color tones, bring out texture and add depth to the image.
Senior Colorist, Warner BROS LA
These looks are a sampling of the library that I use on my features films to craft the perfect grade.
There is a look for every type of project included in the collection, and by blending between them with the built-in mix function, there is an infinite number of possibilities that can be created.
Watch Cullen use the Shadow Volume Control to create a strong contrast with textured shadows.
Watch Cullen Kelly use Cinelooks compression and volume controls to reduce sharp edges and create a painterly cinematic look.