2 Film Look LUT’s created by Panavisions supervising colorist Douglas Delaney. His extensive credits include work on feature films like Monkey Man, Captain Marvel, Jumanji, Concussion, and The Equalizer.
LMT’s wrapping for use in DaVinci Resolve ACES Color Management.
The original K2254-K2383 Print Film LUTs created by former Kodak color scientist Mitch Bogdanowicz.
Includes the full set of DPX-P3, DPX-XYZ, 33+66 12bit variations + P3-DPX cubes and soft clip sets.
This set is exclusively licensed to Ravengrade and the same set that previously was available as “extras” in the Kharma LUT package. No smoothing of the LUT’s – pure originals – which are the ones used on
legendary movies throughout the years.
Fixed node trees from renowned senior colorists such as Walter Volpatto, John Daro, Dylan Hopkin and Mark Todd Osborne.
These are partly empty nodes without descriptions, designed to help you explore and understand different node-based setups for experimenting, and sparking your own ideas.
These will be licensed for the original purchaser only. Redistribution, sharing, or resale is strictly prohibited. Each license is granted individually and is non-transferable. By purchasing, you agree to use the products solely within your own workflow and not to circulate it beyond your licensed use.