In this first lesson, we’ll analyze and read metadata from a Red shot in Red Player.

We’ll look at metadata in Redcine-X.

In this lesson, we’ll open a project in DaVinci Resolve and set the decode options.

More metadata in DaVinci Resolve.

We’ll go though the IPP2 non-color managed workflow in DaVinci Resolve.

In this lesson we’ll create camera LUTs and LUTs for post production with the IPP2 LUT creator in Redcine-X and look at how to optimize it for a post workflow.

Now we’ll look at a color managed Red workflow in DaVinci Resolve.

In this lesson we’ll look at how to match the color space of Alexa and Red footage which is required on projects shot on different cameras.

We’ll look at basic primary color corrections and secondary corrections such as hue shifts of specific colors, vignetting and other useful techniques.

In this this, we’ll add data burn-in and metadata to prepare the footage for exporting.

Now, we’ll look at the best settings for exporting clips and sequences for directors or clients.

We’ll go through a dailies workflow in DaVinci Resolve.