Cinelook

The Cinelook Plugin for DaVinci Resolve features cinematic looks and film print emulations, developed by some of the industry’s most respected colorists and color scientists.

Beyond its premium look library, the plugin also includes a powerful suite of advanced color grading tools — including density, compression, volume, and vibrance controls — giving you precise creative control and flexibility in your grading workflow.

INSTANT LOOKS

Instantly present powerful looks to your client – inside of DaVinci Resolve.
Textured and painterly looks – true to real film.

FILM SLIDERS

Sliders that let you create strong film contrast, painterly highlights, compressed shadows and reduce sharp edges.
Just like real film.

The goal with my contribution to Cinelook was to get the absolute best side-by-side display of digital with real film. With about ten thousand patches for intermediate recorder film out and print, the result showed a virtually indistinguishable comparison with real film, except for the film projector jitter.

Mitch Bogdanowicz

Former Color Scientist, Kodak

WORKFLOW

Cinelook works in real-time and supports a wide range of cameras,
color spaces and imaging pipelines

WIDE CAMERA SUPPORT

Supports a wide variety of log camera and working spaces including ARRI (including Alexa 35), RED, BlackMagic, Sony, DJI, Panasonic, Z CAM and Canon.

COLOR SPACES

Designed for the most common log variations and working spaces, and supports all industry standard display spaces including HDR and DCI P3.

NO BREAKAGE

Every technical component of the looks (LMTs) are shaped by color scientists to ensure the image does not quantize, clip or clamp.

MODERN COLOR WOKFLOW

Compatible with both node-based and color managed workflows, including ACES and DaVinci YRGB Color Managed.

QUALITY

Every technical component of all the looks on Cinelook are shaped by color scientists to ensure the image does not quantize, clip or clamp, and the looks are tested against every valid possible input color. As long as the color space characteristics of your image align with the color space you select within the tool, you’ll never see any breakage.

In general, how smooth a curve should be is a complex discussion because we need to balance the various mathematical formulas that is used to smooth out the movement from one curve point to the next with the designers creative intent. Also, the curves of the looks who are true film profiles reflect the actual measured and jagged behaviour of the print.

BUY NOW

Start your next-level work today!

add-onS

Get the most out of Cinelook with add-ons

CINELOOK BONUS PACK

The Cinelook Bonus Pack features 10 looks by Senior Colorist John Daro at Warner Bros.

It includes Kodachrome looks built for Netflix, ’80s Fuji emulations printed to Vision 3, reversal and true bleach styles for HDR, non-empirical Ektachrome emulations, modern saturated looks, and a tribute to Dan Muscarella of FotoKem.

MIRA POWERGRADES

MIRA is a collection of 20 PowerGrades for DaVinci Resolve, crafted by a range of renowned colorists. Each node structure is designed to give your images a cinematic feel, combining custom corrections with transforms and film prints from the Cinelook plugin.

Study the node trees created by professional colorists, and apply these fully customizable grades to elevate your own projects.

Ravengrade

CINELOOK